“They have been carefully selected, evaluated, listened to, and combined,” Deluc explains. This proprietary technique is in part inspired by Amadeus-designed professional Mains monitoring systems used in large recording studios, the 'crossed structure' itself drawing on aircraft manufacturing processes, particularly wing design," continues Deluc.Īs always, a huge part of speaker design is the components. "This allows a dramatic decrease in sound coloration through a crossed structure of longitudinal and trans-verse reinforcements. Each studio is equipped with a unique Surround monitoring system, made up of five Amadeus Philharmonia speakers, along with an Amadeus 'ML 15 D' subwoofer.Īs Michel Deluc explains, “the distinctive construction technique of Philharmonia helps neutralize standing waves affecting sonic clarity and low-frequency definition, through an extremely complex internal structure using a combination of interlocking panels arranged in two perpendicular planes, each hosting several tuned notch resonators." The 'Studio Salle de Répétition' is equipped with a tailor-made acoustical treatment, very similar to the treatment used in the 'Studio Grande Salle'. The main Philharmonie de Paris rehearsal room hosts not only public orchestra rehearsals, but also pre-concert events, conferences and chamber music/amplified music concerts. This specific project required an acoustical response combining high clarity, great intimacy and depth, echoing the choices Yasuhisa Toyota and Sir Harold Marshall made for the Grande Salle,” adds Deluc. “The acoustics I design aggregate a lot of techniques I acquired, imagined and developed during the last 30 years for various complex spaces. We have many successes in the field of acoustical and/or electro-acoustical custom design.” "Our inclusive approach and dual expertise have made us able to create perfectly imagined spaces where the acoustical response has been perfected, ready to house the monitoring systems we design in parallel. “Having acoustics and electro-acoustics match up is a basic premise of our design philosophy when designing and outfitting spaces dedicated to creation, mixing, mastering, postproduction or dubbing, or just high-level listening, among other tasks," says Michel Deluc. Philharmonie de Paris Studios featuring acoustics and monitoring by Amadeus. Jean Nouvel co-designed the recently released Amadeus 'Philharmonia' speakers with Amadeus. Amadeus Labs works with various customers, including mixing and mastering studios, composers, concert halls, research centers, and many other institutions, to create specialized acoustical environments, often also utilizing Amadeus speakers. Managed by acoustician Michel Deluc, co-founder and R&D Manager for Amadeus brands, Amadeus Labs recently re-designed both of the prestigious Philharmonie de Paris concert hall’s studio control rooms and their main monitoring system.Īmadeus Labs collaborated with the studio’s sound engineers, while continuing to work alongside Jean Nouvel, the Philharmonie de Paris’ very own architect and designer. While Amadeus is well known as a high-end professional audio products designer and manufacturer for sound reinforcement systems and studio monitors, the Company also runs 'Amadeus Labs', an acoustics-specialized research and consulting unit. Built to immortalize the performances of the world’s most prestigious symphonic orchestras, the Philharmonie de Paris mixing and mastering studios required a monitoring system of upmost transparency, placed in the highest-level optimized acoustic spaces. With its design, ergonomics and acoustics devised by Yasuhisa Toyota of Nagata Acoustics and Sir Harold Marshall from Marshall Day Acoustics, the Philharmonie de Paris is among the most unique symphonic halls in the world.
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