![]() In possibly the most-talked-about scene at the festival, she’s impregnated by a Cadillac. As a child, a car accident leaves her with a titanium plate in her head and a strange bond with automobiles. by Neon, Agathe Rousselle plays a serial killer who flees home. In “Titane,” which like “Parasite” will be distributed in the U.S. “Everyone was passionate about a particular film they wanted and we worked it out.” Juror Maggie Gyllenhaal said they didn’t agree unanimously on anything. That choice was said to be unanimous by the jury led by Alejandro González Iñárritu, but the award for “Titane” - an extremely violent film - this year’s jury said came out of a democratic process of conversation and debate. In 2019, another genre film - Bong Joon-Ho’s “Parasite” - took the Palme before going on to win best picture at the Academy Awards, too. This year, four out of 24 films up for the Palme were directed by women. Their number signified the movies by female directors selected to compete for the Palme d’Or - 82 compared to 1,645 films directed by men. In recent years, frustration at Cannes’ gender parity has grown, including in 2018, when 82 women - including Agnes Varda, Cate Blanchett and Salma Hayek - protested gender inequality on the Cannes red carpet. The only previous female filmmaker to win Cannes’ top honor - among the most prestigious awards in cinema - was Jane Campion for “The Piano” in 1993. “As simple as that.”ĭucournau’s win was a long-awaited triumph. It’s like the guy at the end of the game who misses the free throw.” (R for aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying.“I have no excuses,” Lee told reporters afterward. And coming as it does directly on the tails of the equally delicious “Get Out,” “Raw” is further proof that horror is far from cooked.Ĭast includes Garance Marillier, Ella Rumpf and Rabah Nait Oufella. But “Raw” is spectacularly all her own, providing us with plenty to chew on in feeding us a decadent casserole of brains and regurgitated - let’s just say “stuff” - you can really sink your teeth into. When’s the last time you could say that about a horror film? “Carrie?” Speaking of which, Ducournau gives that classic a memorable nod with a scene in which animal blood - buckets of it - are spilt on alleged innocents. ![]() ![]() I counted nearly a dozen scenes where I had to avert my eyes from the screen. Her points are well made, but it’s her delivery that will have you squirming. How apropos, considering Ducournau is lifting her own middle finger to the double standards society places on women, both sexually and physically. Can she control herself and all these new sensations? Ducournau cleverly shows us how a hamburger patty becomes a gateway drug to ever more dangerous cuisine, including finger food that’s literally a finger - the middle one, no less. But as with sex, her newfound lust for meat must be handled responsibly. But that’s not her only urge.ĭuring a hazing ritual, she’s forced to eat a rabbit kidney, the first flesh she’s ever tasted. But then, isn’t that what college is supposed to be about - a time to experiment and broaden your palate? So why does Justine always feel so guilty, so out of step? And is it possible she’s the only virgin on campus? Ducournau has a lot of fun with the latter, providing scene after scene of Justine fending off the inner sex fiend she’s itching to become. And being around dog, horse and cattle carcasses all day is whetting a craving she never knew she had. Her hunky gay roommate, Adrien (Rabah Nait Oufella), is consistently tempting her hungry eyes, particularly when he doffs his shirt to play soccer. ![]() But when Justine springs from the lair of her overprotective parents to join Alexia at a foreboding French veterinary college, temptation seems to lurk around every corner. And what she’s cooked up is both mouth-watering and nutritious in its ability to be gross and grossly enlightening in turning a veterinarian-school freshman’s sudden hunger for flesh into a stunning parable about female sexuality and anxiety-driven eating disorders.ĭare I say it’s the coolest cannibal carnage to come along since Hannibal Lecter last popped a cork on a fine Chianti? Sure, why not? In fact, I wouldn’t be surprised if during his European travels, the lecherous Lecter fathered the movie’s mousy teen heroine, Justine (Garance Marillier), which would be hilariously ironic since her Mom, Dad and sister, Alexia (Ella Rumpf), are, or were raised, as vegetarians. For this, they have newbie writer-director Julia Ducournau to thank. It had them fainting in the aisles at the Toronto Film Festival, but the meaty “Raw” is more likely to elicit swoons from horror fans ravenous for steak in a genre accustom to tofu.
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